This is my third brass ensemble medley of music by George Gershwin (1898-1937). He was called a "perfect musician", having laid a solid foundation for what is called "American music". The work contains the following three songs.

- "Prelude Song I" from "Three Preludes". Introductory measures are ad libitum, then establish a stable tempo with the first melody. Play the many small melodic insertions without sounding rushed. The dynamic range is complete. Plan dynamics so as to achieve the climax at [E] while still serving the emotions of the music.

- "Embraceable You"comes from the musical "Girl Crazy". The lyrics describe a sweet and endearing moment of embrace. Originally, male and female leads each sing one chorus, but in this arrangement, Flugelhorn responds at [G] to the trombone call at [F], and that feeling continues at [H]. Considering, and presenting this musical effect can create a romantic atmosphere. Offer boldness in the two bars from [I], and an embracing, soft sound from the third measure in contrast.

- "My One and Only", is from"Funny Face". In jazz performance, the pattern of "tenuto + accent" means to shorten and stress the second note. That type of melody is more attractive with a brash and quick feel.

"Embraceable You" returns at [M]. This part, especially Trp. 1, requires stamina, but pace yourselves to allow for the climax at [N]. From [N], imagine Gershwin's orchestral sound. The last note should be played with much resonance to fill the hall naturally.

This arrangement was commissioned by Kuki Senior High School Wind Orchestra, Saitama. It was premiered by the school brass quartet at the 2016 Saitama Ensemble Festa.

(Kenichi Kurokawa)