This is designed as an opening number and incorporates themes from a variety of classical works.
It can be highly effective to start the performance with only the rhythm section on stage ("preset"), playing the opening groove, while each section enters one after another from both sides of the stage.

Although elec. guitar, combo organ, synthesizer, female chorus, and other instruments are in the score, the piece may be performed without them. In that case, play from the beginning through page 3 of the score, then skip to the 7th measure of A.
It is also recommended that the optional parts indicated in parentheses for each section be played offstage.
If the chorus section is not used, skip from the end of the 5th measure of J directly to K.

Instrument Introduction from the Opening
The Swan's Dance (Picc., Fl., Ob.)
Mozart: Symphony No.40 (Cl.)
Grieg: Peer Gynt (Bass Cl., Bsn.)
Mozart: Sonata (Sax.)
Der Freisch?tz (Hn.)
Elgar: Pomp and Circumstance Marches (Euph.)
Overture from 'Orpheus in the Underworld' (Tb.)
Carmen (Tp.)
Rimsky-Korsakov: Sadko (If you don't cut the chorus section)

Wind parts begin with an introduction by tuba.

(Naohiro Iwai)